From the very first rooms, the retrospective transports us back to Hockney’s early years, between Bradford and London, where he explores intimate family themes with Portrait of My Father (1955). This painting, though modest in size (50.8 x 40.6 cm), reveals a profound sensitivity, delicately capturing his father’s face with a vibrant touch.
Then, the California sunlight takes center stage with two iconic pieces:
With 220 for 2020, David Hockney proves that his art continues to evolve. This collection, created on iPad and printed in large format, celebrates the Normandy landscape through the changing seasons. In Gallery 5, the monumental installation of 27th March 2020, No. 1 (364.1 x 521.4 cm) envelops visitors in a chromatic symphony where vivid greens blend with vibrant skies.
The exhibition also reveals the influence of masters such as Van Gogh, Cézanne, and Picasso, notably in a dedicated space where visitors are invited to wander among classical references and contemporary reinterpretations.
David Hockney shares: “This exhibition is the largest I’ve ever had. Some of my latest paintings will be on display. I think it’s going to be great.”
Upon leaving the final room, dedicated to his recent London creations, one can’t help but be struck by the power of an artist constantly reinventing himself, through time and technology.
There are events that mark a season, and others that define it. FAB PARIS 2025…
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It is difficult not to be struck by the majesty of this edifice, the Hôtel…